No one was sure what caused the body swapping at the theater before the ballet performance. Mostly, it seemed to be between the performers, and so the main result was mostly arguing about who should dance which part. One particular notable exception was Cameron, who had simply been walking outside the theater at the time. He found himself in Akiko’s body, one of the leads. He was certainly glad Akiko wasn’t in his body; she had found herself in the body of her own understudy.
Of course, he knew that despite his body’s talents, he was certainly in no way trained to dance in the show. Akiko did warn him that he’d have to keep her body “in practice” and “up to standards” as long as they were swapped, and that they’d discuss what that meant in detail after the show. Cameron wasn’t sure what she meant by all that, but for the time being, he simply slipped into the back row to watch to performance.
He had always found ballet boring before, but there was something different watching it through Akiko’s eyes. Perhaps there was a feeling of personal investment as he watched Akiko in her understudy’s body, it was in some ways like watching himself. But it was more than that. It was almost as though he had an innate sense and understanding of what he was watching now. He could tell who was tight and who was sloppy. He could see a missed step from his far off seat. And he developed a weird feeling of confidence from it all. Maybe keeping “in practice” and “up to standards” wouldn’t be as difficult as he initially thought...